THE NEW YEAR WE DIDN’T SEE COMING

THE NEW YEAR WE DIDN’T SEE COMING

On Sunday, January 5, Angela and I heard a new year’s sermon we thought was gutsy, thoughtful, realistic, and now, prophetic. This pastor told his congregation “This year may be the worst year of your life, filled with death, destruction, fear, and mayhem. To tell you ‘happy new year’ may be the most painful thing you could be told.” Yet he spoke of trust in God, that even what could turn out to be your worst year, could be your greatest. Personally, I don’t like sermons that point to victory without embracing hardship. This pastor minced no words. He was honest and mature.

Interesting how little we knew a few months ago, isn’t it?  Needless to say, our plans for 2020 have come to a screeching halt.  Like you, we are waiting, preparing, praying, and listening.

Last year, I read a book entitled “The Sin Of Certainty” by Peter Enns.  In this challenging and often uncomfortable book, Enns says: “When we reach that point where things simply make no sense when our thinking about God and life no longer line up, when any sense of certainty is gone, and when we can find no reason to trust God but we still do, that is what trust looks like at its brightest.”

We see this “trusting-God-when-all-else-fails” throughout Bible stories and church history.  (See my blog of March 29.) Yet as 21st century Americans, we shelter ourselves from experiencing hardships that make us “trust God when all else fails.”  Sure, there are those who have experienced great personal tragedy:  loss of a loved one, a failed business, loss of a job.  Yet, so often the American dream and much of our Christian messages morph into figuring out how to put ourselves in a position where “all else fails” doesn’t happen.

Until now.

Never in our lifetime have we experienced anything on the global scale like we are witnessing through the COVID-19 pandemic, and the economic ruin that likely awaits us as we stagger through months of quarantine and sequestering.  No one can predict what the results of this parenthetical time will be.

So, here are some questions we must ask ourselves:  Will we trust God in sickness, in health, in death as well as in life?  Or are we frustrated God is not producing what we want when we want it?  Or worse, are we running scared?

As for me, I refuse to offer glib answers and clichés.  I simply want to encourage myself and my family to walk the way others before us have walked through plagues, famines, and hardships in life and death.  All we can do is trust the living and eternal triune God of the scriptures.  In the end, we will see: trusting Him is enough. 

I believe our 2020 plans are not for naught.  In the meantime, we wait; we trust.  We must.

“Come my people, enter into your rooms and close the door behind you.  Hide for a little while until indignation runs its course.”  Isaiah 26:20

WHAT WILL THE CHURCH LEARN FROM THIS CRISIS?

WHAT WILL THE CHURCH LEARN FROM THIS CRISIS?

As much as we may think what’s happening today is rare – which it is in western civilization over the past few hundred years – it’s happened before.  The church has found itself unable to meet together throughout history.

For example, during the black plague of the medieval period, many local churches were simply wiped out because entire memberships died. After the Reformation, churches were raided and worshipers killed for following Luther’s teachings – and vice versa, driving worshipers away from corporate gatherings and into their homes.  During the Thirty Years War in Europe (1618-1648) deaths were so common and devastating that many simply found it discouraging to gather for corporate worship.  Home-based gatherings thrived.

In mid-19th century America, the Civil War caused similar devastation resulting in some abandonment of corporate meetings for worship.   For instance, during the five years we resided in Franklin, TN, we attended Christ Community Church, which at the time was gathering in the old First Baptist building, not far from the historic site of the Battle of Franklin (a late-in-the-war failed attempt by Confederates to take back their Union-occupied town).

During our time at the Franklin church, a staffer found the archives of the original First Baptist which had attendance rolls dating back to the early 1800s.  Following the Battle of Franklin, no one met for worship for a long period.  Reason?  Every male member of the church was killed.  Only a grandpa and his granddaughter met Sunday after Sunday.  Apparently, the widows could not bring themselves to gather for worship socially.  Too much sadness.

The most familiar stories to Christians of “house church” are the references throughout Acts of The Apostles, as they met from home to home for meals, chanting, reading of the Psalms and Prophets and later, the public readings of Paul’s letters.  The first three centuries of church persecution guaranteed that corporate worship gatherings were not even a consideration.   Christians met in secret until Constantine made Christianity the official religion of the Roman Empire.  The church-empire began:  cathedrals, churches, schools, and monasteries started to pop up everywhere.  Then, the black plague hit and the cycle repeated.

Persecution, wars, and diseases come and go.  So do movements that change the way the church worships.  It’s inevitable.  Something eventually happens that changes how the church worships because each crisis causes the church to recalibrate how she sees herself and her role in society.  The church traditionally doesn’t change itself from the inside.  The church remains comfortable until tragedies change her.  Those come in cycles.

In my book Wallpaper Worship, published May 2018, I wrote: “I believe there is a new movement coming that will transform the body of Christ and change how we view and do worship.  No one knows where it will come from or what the surrounding context of its coming will be.  But I believe it is coming.  ‘Wallpaper worship’ (corporate gatherings of worshipers observing rather than participating) thrives in times of great prosperity and dies in seasons of persecution or hardship.” (Chapter 13).

With COVID-19 overtaking the globe and dismantling the world’s economy, the question the church needs to be asking is larger than “how do we meet together” or “how do we collect offerings to pay for our staff, empty venues, and our production gear.”  We’ve already figured out those solutions through the internet.

The deeper question, I believe, is:  Will this crisis change the way the church sees herself within the culture – and will the crisis change the nature of how the church worships corporately?

Is the church in the USA going to be different after this crisis or will we just take up where we left off when COVID-19 passes and chalk it up for “victory” as people gather once again, nuzzle in their seats, watch the platform performance, sip coffee and take communion in isolation?

Questions of lesser importance will waste what this crisis can teach us – or more importantly – how this crisis could transform us.

 

“For I am about to do something new.  See, I have already begun! Do you not see it?”  Isaiah 43:19 (NLT)

WHY I QUIT USING POP SONGS IN WORSHIP

WHY I QUIT USING POP SONGS IN WORSHIP

If you’re thinking “Oh brother! Here we go…another legalistic churchy rule,” stay with me. It’s not.  Let’s level the field:  if you’re using pop songs in worship, I do not universally condemn it.

When I was on a large church staff with a wide talent pool, I used to perform pop songs periodically and really enjoyed it.  It was a thrill to connect a lyrical parallel in a popular song with a sermon and to make the song sound like the recording performed live.

IT CAN WORK

One of my most effective experiences was when our pastor gave a sermon on “God wants you to join Him in His dance.” He used a clip from the Tom Hanks’ 1999 prison movie The Green Mile, in which the condemned prisoner, who happens to be innocent, has eaten his last meal before being executed and is watching his last movie, a 1930s classic with Fred Astaire and Ginger Rogers (For Those of You With No Connection to the Past, acronym FTYWNCP, Fred & Ginger were an acting/dance team that killed it in the ballroom style).  The song they danced to, in the scene the prisoner watches, is “Dancing Cheek To Cheek.”  (FTYWNCP, check it out on YouTube.)  Watching Fred and Ginger, the prisoner says in tears, “This must be heaven. They look like angels…”

Our church’s tradition was to end each sermon with communion while the band played as people went through the line for the elements.  For communion music that day we played “Dancing Cheek To Cheek.”  People were in tears as they connected the sermon with communion through the song.  God was inviting them to “dance with Him” and they did.

SO, IS THERE A PROBLEM?

Consider:  We, in the worship music industry, have become so good at live performance (the American church spends $2 billion/year of its budgets on music/theatrical production gear) that often we perform pop songs “just because we know how.”  Someone shared with me about a Nirvana song that opened a service at a megachurch.  I asked, “Was it related to the sermon or service theme?”  “Not that I saw or heard,” he responded. “It was just really cool.”

I have heard and seen performances in worship services of songs by Aerosmith, Justin Timberlake, Beyonce and others that are done – a) because the band knows how to and wanted to – b) to invite the unbeliever into an atmosphere that is familiar and non-threatening.

Do we really play to so many un-believers in our local worship service that we feel setting the atmosphere at their level of understanding achieves a worthy goal?  If the purpose is to win them to the Gospel, is it working?

Gallup Research conducted a study of churches county by county in the USA, to find out what large and small churches spend ($) to pull off weekend worship services, and the result thereof.  The study took into account building/venue costs, salaries of those who are required to execute the weekend productions (pastors, associates, musicians, crew, teachers), printed materials given away, licensing fees for use of song copyrights (CCLI), coffee bars and other related expenses. Add the $2B/year of gear purchased from production retailers.  Divide those numbers by how many individuals the churches report who make life-changing commitments to the Gospel as a result of the weekend productions.  Gallup’s results are that it costs the church over $1 million to convert one non-believer.  If we presented this financial idea on TVs Shark Tank, the investors would pass.

THE IDEA HERE IS NOT TO SHAME US, BUT TO AWAKEN US. 

Jesus’ words can guide us as we make decisions on how to musically shepherd our “audience” (aka Jesus’ sheep):   “I know my sheep and they know me and hear my voice, just as my Father knows me and I know the Father.  My sheep will not listen to a hired hand.  A hired hand will abandon the sheep because they don’t belong to him; he runs away because he’s working only for the money and doesn’t really care about the sheep.”  John 10

Why spend our time in service-planning and rehearsals to perform a song that has nothing to do with a sermon or a scriptural theme – because we want to be approved of by people who don’t know the Savior we are trying to “sell” them?  What about the sheep of the Shepherd, our congregants – who come to weekend services for spiritual renewal, refreshment and teaching of the word of God?  Do unrelatable pop songs – which they hear every day anyway – help meet their needs?

Francis Chan, in his book Letters To The Church said: “People are either awed by the sacred or they are not.  We (leaders) have addicted our people to less.”

I quit using pop songs simply because my time leading His sheep is limited, both in the allotted weekend time and in how many weekends I have left on this planet.  I choose to play to the sheep and their needs. Non-believers are welcome to come along as the Holy Spirit draws them.

I welcome your comments below.  What’s your experience?

IS WORSHIP A STYLE OF MUSIC?

IS WORSHIP A STYLE OF MUSIC?

The word worship has metamorphosed.  It is one of those many words floating around that once had specific meaning but has culturally morphed into new relevance.  Other examples:  thread, stream, post – you get the idea.

Worship used to be primarily a verb – something we did corporately or privately when we gather into a house of worship.  Now it is also a noun, a traded commodity, a multi-billion-dollar industry tied to the entertainment and production-gear retail world, akin to the latest talent reality shows, playing to millions of unnamed, anonymous online fans of worship songs and worship artists.  Worship has become its own style of music. 

Am I cynical or a realist?  Probably both. Before you go off on me with this, first consider the reactions I frequently hear from semi-professional church musicians.  They cringe at playing a hymn or any music piece outside the worship model.  Yet, many equally cringe with many new songs they are required to memorize.  Why the cringing?  Musicians will confess – quietly, behind the scenes – the musicality of worship lacks in diversity or musical creativity.   In other words, if they are honest, musicians will tell you that as a style of music, worship becomes quickly rote and predictable.

Example:  I had to learn the latest 12-15 most popular worship songs for an upcoming conference.  I found each song on YouTube and began my rehearsal.  Most start with a low synth pad sound, covered in a breathy vocal line.  Then follows the rhythmic groove with guitar, bass and drums.  Each track has a simple riff (ie, a basic scale pattern meant to be a musical hook played by a lead guitar or piano).  Many of these riffs are so similar, it’s difficult to discern which song I am in when I hear it.  They are purposely simple so they can be reproduced by volunteer musicians possessing basic skill levels; I get it.

By the middle of the songs, vocalists are full voice, the band is playing the 1-4-6-5 chord progression (or 1-5-6-4, 1-6-5-4 or another variation).  There is a full synth pad or guitar distortion pedal sound underlying everything to give a pop power-ballad sound.  Eventually most songs will end as they start, finally capped with a cymbal-swell cadence, giving the audience their cue to applaud.

There you have it.  Worship is a musical style, a specific sound.  To use music outside this model in worship, or an original arrangement of a current song, risks being pegged as out of touch or old school.  It assumes congregants will not accept anything other than “the way it sounds on the radio.”  Flash:  not all congregants listen to “worship radio” which may be why so many simply squint and stare during music segments.

It amazes me how many styles of music are out there, being enjoyed, EXCEPT in church.  Watch the Grammy Awards or the Academy Awards show and count how many styles of music are used in these productions:  acoustic, jazz, classical, choral, gospel, country, folk, hip hop, alternative, Broadway. There are so many great choices to enjoy, except in worship.

Recently I had a short-lived conversation with a leader of one of the big worship companies (I won’t name the company because you’d know them).  I asked him, “What if an oboe or clarinet player came up to you in church and asked how he/she could fit into the worship ministry – what would you say?”   His response: “I have no idea.”

“A garden’s beauty never lies in one flower.”
― Matshona Dhliwayo

I am dying to hear comments from anyone experiencing musical creativity in sound, style and execution in your worship services.  Are you out there? 

GOT THE RIGHT TOOLS?

GOT THE RIGHT TOOLS?

It takes a lot of tools to build a house:  router, drill, generator, roofing nailer, finish nailer, framing nailer, air compressor, chainsaw, jigsaw, reciprocating saw, circular saw, chop saw, levels, diagonal pliers, wire strippers, box nose pliers, linesman pliers, needle nose pliers, adjustable wrenches, chisels, socket set, tin snips, shovels, rakes, extension ladder, step ladder, sledgehammer, keyhole saw, hacksaw, utility knife, bolt cutter, chalk line, hand saw, tape measure, hammer.

There are also tools we need to use if we are going to lead congregants in worship.

If you’re a worship leader (or you know one you can share this with…) pay attention:  Your congregants want to participate.  But if your weekly reality reveals your people are not following but simply observing, then what’s the point of being a “leader of worshipers?”  There may be some basic tools you are missing or not using.

Jesus said, “My Father is seeking worshipers who will worship Him in spirit and truth.”  It may be a blow to our egos to point out He did not say “the Father is seeking more worship leaders.”  Ultimately, He wants to hear from those in our audience, not just those who lead them.

If you are of the tribe that takes the idea of worship leadership seriously, come aboard for my free webinar.  You’ll learn three basic tools that must be in your tool belt if you are going to build a church that is full of participants, not just observers.  Get the tools you need to build a house of participation, not just a venue of observation.

Register here:  FREE WEBINAR WITH DANNY

Hurry.  The webinar opens FRIDAY OCT 4!

K-CUPS AND WORSHIP SONGS

K-CUPS AND WORSHIP SONGS

Each morning I put a K-CUP in my Keurig.  It produces a decent single cup of morning coffee experience.  Then I prepare one for my spouse.  I discard the first one and repeat the process.  There have been many times I have stared at the plethora of K-CUPs in my kitchen trash, only to grieve their short-lived lives.   If you have tried producing another cup of coffee with a used K-CUP, you know the results are less than satisfying.  It’s as if the K-CUP says: “Hey!  You already used me.  I’m done.  Move on!”

Modern worship song repertoire can be like that.

Worship leaders are finding it difficult to keep up with the amount of new songs coming into the marketplace.  (CCLI has over 100,000 worship songs in its catalog. Spotify reports 40,000 new songs added daily.)  Leaders and congregants can get frustrated because there is not enough time to repeat a song to endear it to the hearts of listeners.  Too often the result is silent church-goers staring at song lyrics they heard maybe once, somewhere in their week – or was it from last week’s service?  With the barrage of material coming at us, many songs are used once and then discarded.  K CUP worship songs.

I recently heard of a pastor who told his music team not to use any songs that are over 6 months old.   There are a lot of K-CUPs in that worship leader’s trash.  I mean, when was the last time you heard the 1990s hit “Shout To The Lord” used in a worship service?  Even though I may hear from someone who used it just last week (bless their heart), the point stands:  Worship songs we were singing even a few years ago are long gone, out-mode, like used K CUPS: “Hey!  You already used me.  I’m done.  Move on!”

In my WORSHIP WORSKHOP and in my book WALLPAPER WORSHIP, I emphasize the idea that worship (not simply music) is, among many things, our HERITAGE.  Harkening to the past is not anti-contemporary.  It is ANAMNESIS, the “art of remembering.”  Realized or not, when we worship through music or other rituals, we stand on the shoulders of those who went before us.

The classic hymns were the body of song material used by Protestant churches for centuries.  Though there were thousands, not all hymns survived.  English hymnwriter Isaac Watts (When I Survey The Wondrous Cross, Joy To The World) wrote over 6,000 in the early 18th century.  Fanny Crosby, early 20th century American (Pass Me Not O Gentle Savior, Blessed Assurance) wrote over 9,000. Though much of the hymn repertoire is gone, hundreds remain part of our modern heritage of worship music.  With today’s songs so quickly discarded, I often wonder if any of our modern songs will stand the test of time?   (Be Thou My Vision is cr. 9th century. How’s that for passing the test of time?)

It’s not just our songs (modern or from antiquity) we’ve discarded.  We’ve managed to reduce the communion sacrament to a K-CUP.  When pastors fail to explain communion to worshipers, and shrink-wrapped communion cups are offered from a basket somewhere in a corner, the implied message:  “Take it at your leisure.  Put it under your seat or in your purse for later.  Take it in the bathroom, the parking lot, wherever or whenever you want.”  The only instruction we actually receive:  “Make sure to properly dispose of the shrink wrap and the cup in the trash receptacles.”  K-CUP Communion.

If we discard most of the songs of our faith in a few years, and we fail to lead people in worship through the richness of experiencing communion corporately, what other elements of our worship heritage are we willing to discard like K-CUPS?

“All that now is will be forgotten in the days to come.” – Ecclesiastes 2:16 (NKJV)

(Let us read your comments, whether you’re experiencing the KCUP phenomenon OR if your worship situation is balanced and fulfilling.)

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