IS WORSHIP A STYLE OF MUSIC?

IS WORSHIP A STYLE OF MUSIC?

The word worship has metamorphosed.  It is one of those many words floating around that once had specific meaning but has culturally morphed into new relevance.  Other examples:  thread, stream, post – you get the idea.

Worship used to be primarily a verb – something we did corporately or privately when we gather into a house of worship.  Now it is also a noun, a traded commodity, a multi-billion-dollar industry tied to the entertainment and production-gear retail world, akin to the latest talent reality shows, playing to millions of unnamed, anonymous online fans of worship songs and worship artists.  Worship has become its own style of music. 

Am I cynical or a realist?  Probably both. Before you go off on me with this, first consider the reactions I frequently hear from semi-professional church musicians.  They cringe at playing a hymn or any music piece outside the worship model.  Yet, many equally cringe with many new songs they are required to memorize.  Why the cringing?  Musicians will confess – quietly, behind the scenes – the musicality of worship lacks in diversity or musical creativity.   In other words, if they are honest, musicians will tell you that as a style of music, worship becomes quickly rote and predictable.

Example:  I had to learn the latest 12-15 most popular worship songs for an upcoming conference.  I found each song on YouTube and began my rehearsal.  Most start with a low synth pad sound, covered in a breathy vocal line.  Then follows the rhythmic groove with guitar, bass and drums.  Each track has a simple riff (ie, a basic scale pattern meant to be a musical hook played by a lead guitar or piano).  Many of these riffs are so similar, it’s difficult to discern which song I am in when I hear it.  They are purposely simple so they can be reproduced by volunteer musicians possessing basic skill levels; I get it.

By the middle of the songs, vocalists are full voice, the band is playing the 1-4-6-5 chord progression (or 1-5-6-4, 1-6-5-4 or another variation).  There is a full synth pad or guitar distortion pedal sound underlying everything to give a pop power-ballad sound.  Eventually most songs will end as they start, finally capped with a cymbal-swell cadence, giving the audience their cue to applaud.

There you have it.  Worship is a musical style, a specific sound.  To use music outside this model in worship, or an original arrangement of a current song, risks being pegged as out of touch or old school.  It assumes congregants will not accept anything other than “the way it sounds on the radio.”  Flash:  not all congregants listen to “worship radio” which may be why so many simply squint and stare during music segments.

It amazes me how many styles of music are out there, being enjoyed, EXCEPT in church.  Watch the Grammy Awards or the Academy Awards show and count how many styles of music are used in these productions:  acoustic, jazz, classical, choral, gospel, country, folk, hip hop, alternative, Broadway. There are so many great choices to enjoy, except in worship.

Recently I had a short-lived conversation with a leader of one of the big worship companies (I won’t name the company because you’d know them).  I asked him, “What if an oboe or clarinet player came up to you in church and asked how he/she could fit into the worship ministry – what would you say?”   His response: “I have no idea.”

“A garden’s beauty never lies in one flower.”
― Matshona Dhliwayo

I am dying to hear comments from anyone experiencing musical creativity in sound, style and execution in your worship services.  Are you out there? 

THE WAITER AND WORSHIP INTERRUPTUS

THE WAITER AND WORSHIP INTERRUPTUS

Ever been to a quiet, classy restaurant with your sweetie?  White tablecloth – pressed napkins – two candles – rose in a vase.  It’s relaxing just imagining it.  Your well-dressed waiter appears and gives you the evening’s specials from memory.  After taking your wine order, he leaves to allow you to choose your evening meal.  You two are taking in the atmosphere:  Low lights – smooth jazz in the background – and staring into the eyes of the only person you want to be with, in this setting.

As you begin your long-awaited conversation, the waiter returns to pour your wine and take your entrée order.  He disappears and you continue to talk together, alone.  The waiter returns to ask for a clarification, which you politely give.  He leaves, your conversation resumes.

The waiter returns to repour your water glasses and asks how the wine tastes.  You give him a positive nod.  He then puts down his water pitcher, pulls up a chair and begins to explain the differences between California wine and Italian wine.  He leaves again.  You try to resume your conversation only to be interrupted again by the waiter serving the appetizers.  He then gives you a full description of where the pigs, used in your bacon-wrapped appetizer, were raised and fed.  He leaves.  You try to remember where you left your conversation, only to be interrupted again by the delivery of your entrees.  This time the waiter doesn’t leave.  He sits in the chair he previously pulled up, watches you eat, and gives you factual information of how the chef prepared your meal.

The point of your evening is lost.  The interruptions have broken the intimate conversation you came to enjoy.

Worship can be like that.

On Sunday, at church, the musicians have chosen a great set of songs.  They tastefully lead you, the worshiper, to a place of intimacy, devotion, and readiness to receive something spiritual.  You are poised.  You are ready.  Like the soft jazz in the restaurant, the keyboardist is padding quietly.

Suddenly, the associate pastor jumps on the stage:  “Everybody having a good time?  Hey!  How many of you have signed up for the All-Church Retreat?  Lemme see the hands.  Woo-hoo!  Also, we need more workers in the nursery.  It’s a great way of serving and you’ll be blessed.  Sign up in the lobby.  And for anyone who’s into communion, make sure you grab a wafer pak in the baskets by the doors at some point during the service.  Now give someone a HIGH FIVE!”

I call this WORSHIP INTERRUPTUS.   It happens too often.

Back to the restaurant:  You came to have a meaningful, intimate experience with the love of your life – only to have it shanghaied by an obnoxious waiter.

Back to the church:  You came to have a meaningful, intimate experience with the Love Of Your Life (Jesus Christ), only to have it shanghaied by a leader who fails to understand the importance of FLOW OF SERVICE, PLATFORM ETIQUETTE, INTIMACY VERSUS INTERRUPTUS.

When we as platform leaders take our people to a vertical point in time – a moment of spiritual readiness – and then immediately reverse that moment, we jerk our congregants from vertical to horizontal – from heaven to earth – from God to one another – from one another to an annoying “waiter” on the platform.

This isn’t rocket science.  Yet, its frequency is disturbing.

The Apostle Paul admonishes his confused congregants and frustrated leaders at the church in Corinth: “All things should be done decently and in order.” (I Corinthians 14:40)   King Solomon understood the bigger picture: “There is a time to weep and a time to dance; a time to keep silent and a time to speak.”

“Oh, I know,” church leaders say. “Where to put the announcements is a constant struggle.”  There are many solutions to this problem and one size does not fit all.  But wherever we put announcements, we must not lose sight of the larger purpose of our gathering: to lead the sheep to the living water, so they can actually drink it.

“For everything there is a season, a time for every activity under heaven.”  Ecclesiastes 3

K-CUPS AND WORSHIP SONGS

K-CUPS AND WORSHIP SONGS

Each morning I put a K-CUP in my Keurig.  It produces a decent single cup of morning coffee experience.  Then I prepare one for my spouse.  I discard the first one and repeat the process.  There have been many times I have stared at the plethora of K-CUPs in my kitchen trash, only to grieve their short-lived lives.   If you have tried producing another cup of coffee with a used K-CUP, you know the results are less than satisfying.  It’s as if the K-CUP says: “Hey!  You already used me.  I’m done.  Move on!”

Modern worship song repertoire can be like that.

Worship leaders are finding it difficult to keep up with the amount of new songs coming into the marketplace.  (CCLI has over 100,000 worship songs in its catalog. Spotify reports 40,000 new songs added daily.)  Leaders and congregants can get frustrated because there is not enough time to repeat a song to endear it to the hearts of listeners.  Too often the result is silent church-goers staring at song lyrics they heard maybe once, somewhere in their week – or was it from last week’s service?  With the barrage of material coming at us, many songs are used once and then discarded.  K CUP worship songs.

I recently heard of a pastor who told his music team not to use any songs that are over 6 months old.   There are a lot of K-CUPs in that worship leader’s trash.  I mean, when was the last time you heard the 1990s hit “Shout To The Lord” used in a worship service?  Even though I may hear from someone who used it just last week (bless their heart), the point stands:  Worship songs we were singing even a few years ago are long gone, out-mode, like used K CUPS: “Hey!  You already used me.  I’m done.  Move on!”

In my WORSHIP WORSKHOP and in my book WALLPAPER WORSHIP, I emphasize the idea that worship (not simply music) is, among many things, our HERITAGE.  Harkening to the past is not anti-contemporary.  It is ANAMNESIS, the “art of remembering.”  Realized or not, when we worship through music or other rituals, we stand on the shoulders of those who went before us.

The classic hymns were the body of song material used by Protestant churches for centuries.  Though there were thousands, not all hymns survived.  English hymnwriter Isaac Watts (When I Survey The Wondrous Cross, Joy To The World) wrote over 6,000 in the early 18th century.  Fanny Crosby, early 20th century American (Pass Me Not O Gentle Savior, Blessed Assurance) wrote over 9,000. Though much of the hymn repertoire is gone, hundreds remain part of our modern heritage of worship music.  With today’s songs so quickly discarded, I often wonder if any of our modern songs will stand the test of time?   (Be Thou My Vision is cr. 9th century. How’s that for passing the test of time?)

It’s not just our songs (modern or from antiquity) we’ve discarded.  We’ve managed to reduce the communion sacrament to a K-CUP.  When pastors fail to explain communion to worshipers, and shrink-wrapped communion cups are offered from a basket somewhere in a corner, the implied message:  “Take it at your leisure.  Put it under your seat or in your purse for later.  Take it in the bathroom, the parking lot, wherever or whenever you want.”  The only instruction we actually receive:  “Make sure to properly dispose of the shrink wrap and the cup in the trash receptacles.”  K-CUP Communion.

If we discard most of the songs of our faith in a few years, and we fail to lead people in worship through the richness of experiencing communion corporately, what other elements of our worship heritage are we willing to discard like K-CUPS?

“All that now is will be forgotten in the days to come.” – Ecclesiastes 2:16 (NKJV)

(Let us read your comments, whether you’re experiencing the KCUP phenomenon OR if your worship situation is balanced and fulfilling.)

IS WORSHIP “ONE SIZE FITS ALL?”

IS WORSHIP “ONE SIZE FITS ALL?”

The church in America is in a cycle of prosperity.  Impressive church venues are everywhere.  Millions of dollars are spent to remodel sanctuaries, build new ones, purchase gear, keep up the latest trends in stage production – live video capturing – and worship song-set automation software.  Yet, many who attend services find themselves standing in silence, watching screens, and observing performers on a platform.  I call this lack of congregational engagement Wallpaper Worship.

In his endorsement of my book, author Philip Yancey says: “In my lifetime worship has changed from something we do before an audience of God to something a few semi-professionals do for an audience of us.”

C.S. Lewis recognized this problem over 70 years ago: “The perfect church service would be the one we were almost unaware of.  Our attention would have been on God.  But every novelty prevents this.”

WORSHIP LEADERS: “SOMETHING’S WRONG, BUT WE DON’T KNOW WHAT IT IS.”

In my work with worship leaders across the country, I hear from good-hearted, talented church musicians: “Something is wrong, but we don’t know what it is.”

Let’s consider…   The “worship industry” is now a multi-billion-dollar segment of the music and entertainment industry.  The American church market purchases over $1.5 billion a year of production gear from audio and video retailers (Music Trades magazine, February 2019).  Worship song-publishing/recording companies produce new songs daily, with videos promoting a singular sound – a monochromatic look – and a homogenized form of leading from the platform.

Is this new?  Technologically, yes.  Historically, no.

Throughout history, expressions of worship were governed by rules which reduced congregational participation to “stare-at-the-platform-and-listen-to-us.”  Priests clad in gorgeous attire with elaborate “worship gear” on sanctuary altars, would perform worship for the people.  The problem?  (There were many…)  Leaders led in Latin which most worshipers didn’t speak or read, and congregational participation was allowed only during the Eucharist.  The result?  Congregants simply watched and listened.  Sound familiar?

Even more concerning was when the church found itself relying on monarchies, dynasties and other secular shareholders to promote its mission.  The problem?  When the church becomes an industry-driven machine – opposed to a spirit-and-truth-driven organism – its message can become diluted and its mission compromised.  The result?  The message of human fallenness, repentance, redemption, sacrifice, suffering, and sanctification becomes eclipsed with messages of personal actualization, self-healing, and emotional relief from social, political or personal injustices.  Sound familiar?

 PASTORS TO WORSHIP LEADERS: “MAKE IT LOOK AND SOUND LIKE THAT!”

Leading music in today’s church, even in small rural settings, can quickly become about mimicking the latest worship-industry wave to attract more sheep.  Seems like a worthy idea.  However, when the worship industry needs and feeds the church, and the church needs and feeds the worship industry – resulting in passive or even frustrated congregants – then something may indeed be wrong.

Pastors or elders will view YouTube videos of arenas full of worship-music fans, with hands in the air, gathered in front of a stage occupied by music professionals – supported by world-class venue production, pristine sound, eye-candy lighting and smoke – and then dictate to their worship leaders:  “Your job is to make our Sunday service look and sound like THAT.”  After long hours and spent offerings, often the result is local congregants passively watching screens, silently sitting, or leaving for coffee – feeling performed at by musicians they’ve never seen before in their church.

Worship leaders ask: “What do we do now?  Bigger production?  More expensive effects?  Newer songs?  Slicker automation?  What more do they want?  What’s wrong with THEM?”   To find relevant answers, perhaps we should ask different questions:

  • Do we even believe something is wrong?
  • Regarding local church worship: Does one size fit all?
  • Is some corporate industry pushing the idea that ‘one size fits all?’
  • If so, who and why?

I do not think there is some sinister plan by the music industry to undermine the church it profits from. However, history clearly reveals the church as vulnerable to being wooed from her mission and message, especially when there are billions of dollars involved.

So what’s the SOLUTION?  As shepherds of worshipers, our job is to lead in a language our sheep understand and respond to.  The Object of our worship said, “My sheep hear my voice and will not follow a hireling.” (John 10).  If worshipers are not following, leaders are responsible.  Good shepherds will make adjustments on behalf of their sheep (Ezekiel 34) – laying down their own preferences, agendas, and yes – even their lives.

Does one size fit all?  What do you think?  Please comment below.

 

Singer/Songwriter/Speaker/Author DANNY BYRAM has performed on over 100 US military installations worldwide since 1987.  His work earned him the name “The Combat Musician” from chaplains and troops.  Danny also directed 26 Promise Keepers NFL-Stadium events for men, including the Clergy Conference (the largest gathering of clergy in history), and 36 FamilyLife arena events for couples, working alongside Marantha! Music and Integrity Inc.  His book:  WALLPAPER WORSHIP: Why Church Music Sounds Better, Fewer Are Singing And What To Do About It is available on Amazon, Christian Book Distributors, and from CLCPublications.com.  His music is downloadable through iTunes and Spotify.

WHY WORSHIP IS LIKE FOOTBALL

WHY WORSHIP IS LIKE FOOTBALL

In 1959 Vince Lombardi became the new head coach of the losing team known as the Green Bay Packers. The team’s record said it all:  only two winning seasons of twelve.  Assuming they had a desire to win, the new coach concluded:  what they had been doing wasn’t leading them in a winning direction.  As he stood before them, he told his players that under his leadership they would return to the fundamentals of the game.  He picked up a football and gave what was to become the most famous quote in NFL history:  “Gentlemen, this is a football.”

Coach Lombardi’s point was likely met with reluctance and cynicism.  But he knew something his players had long forgotten.  They had the uniforms, the equipment, the facilities, and the talent, but they were not reaching the goal.  Perhaps the players thought being a professional football team was about looking and sounding like one.  What they needed was a new game plan that would harness their assets to lead them to where they ultimately wanted to be.

IS THERE A GOAL LINE IN WORSHIP?

Some say “excellence.”  Others say “evangelism.”  There are lists of virtuous goals worth consideration.  But if you are singing your head off, knocking out new charts, keeping up with constantly changing radio hits, auditioning and training volunteers, chasing the latest gear and gadgets – only to watch your congregants staring at you or your screens, and barely moving their mouths – you need a new game plan.

Worship which is real, is worship which is participatory.  Participation of congregants or lack of it – is a result of what we do as leaders from the platform.  No matter what form through which we lead, whether a weekly liturgy or a musical production with a sermon at the end, participation of those we are leading is our goal line.

Here are three fundamentals of the game I have followed throughout decades of leading worship.

  1. CAST A VISION FOR PARTICIPATION

Conditioning our people from observation to participation is a challenge in the age in which we live, but it is imperative.  For instance, if our music is deafening so worshipers cannot hear themselves, it may be sending a vibe: “listen to what we know how to do.”  Creating a culture of participation will take experimentation and may involve doing some things that are different than you or they are used to.  Cast a vision that worship is active and participatory – not passive and observatory.  They are waiting to be led.

  1. USE YOUR BINOCULARS

When producing stadium events, it was difficult to know if attendees in upper seating sections were participating, since the platform was the size of a postage stamp when viewed from the back.  I would step out of my stage-side tent and use binoculars to see if attendees were connecting like those sitting in the front seats.  As a leader, you must watch and see what’s happening with those you are to be leading.  Proverbs 27:23 says “Know well the condition of your flocks.”  If they are not participating, you must change your game plan until they do.  Closing your eyes to the problem is denial and poor leadership.

  1. PAINT IN MORE THAN ONE COLOR

Ever been to an art gallery with paintings exclusively in yellow?  Ever seen a construction crew build a house with simply a hammer and nail?  As a church that possesses worship assets for two millennia, I wonder why we habitually paint in only one color and build with only one tool.  Give your worshipers a chance to engage with fundamental and even ancient assets of worship.  Example: hymns – not hidden in arrangements  –  just straight up with a modern approach, sing-able, recognizable.   I sprinkle them throughout my sets and the reaction is predictable:  of course, older worshipers love them. But even cooler when younger ones say:  “Dude, that was awesome; did you write that one?”  Or, lead them in unison with the Apostle’s Creed or the Nicene Creed or responsively with a portion of scripture that matches a song or the sermon.  Whatever you try, don’t forget these additional colors in your palette.  Worship is never simply a singular musical style.  Worship is an experience tied to a rich heritage.  Watch the participation level increase as you paint in bold colors and lead with more than a hammer and a nail.

REACHING THE GOAL LINE

From 1959-1969 under Lombardi’s leadership, the Packers achieved ten consecutive winning seasons; five of which were NFL championship/Superbowl titles.  As we watch one football team emerge from 32 to claim the Vince Lombardi trophy, keep in mind it is not simply because they look and sound good.  It’s because they perform the fundamentals of the game with diligence and dedication.

If your worshipers are not participating, consider designing a new game plan to get them over the goal line. Worship Leaders, “this is a football.”

 

FINDING GOD IN THE WORSHIP GRIND

FINDING GOD IN THE WORSHIP GRIND

Downloading tracks.  Downloading charts.  Finding the right song in the right key.  Shooting videos for social media.  Setting rehearsal time.  Changing rehearsal time.  Your drummer cancels on Friday.  Lead female vocalist gets a throat infection.  The smoke machine breaks down at stage left.  Endless chase of the latest gear.  Planning time with the team.  Meeting with pastoral staff.  Budget cuts.  Time restraints within the service.  Cut a song.  Cut two.  Your prepared remarks between songs were criticized in the staff meeting.  Don’t say anything anymore – just do the music.  You’re told: You’re not a pastor, just a musician.

Congregants don’t see these frustrations behind the scenes.  They come and watch each week as you pull it off seamlessly like a pro.  Yet you feel you have to hold it all inside.  Keep it together.  The pressure and frustration of what you once felt was your calling has become a job – or worse, a machine; predictable, produced, even pretentious.  You are noticing you haven’t been alone in God’s presence for quite a while.  You catch a prayer when you can.  Your fuse is becoming shorter.  Things that used to not bother you, bother you.  That “sin that so easily besets you” emerges again.  You confess and move on but it comes back anyway.

Sound familiar? Where is God in the worship grind?  What is described above used to be exclusive to larger churches.  Now, with social media expectations – a worship-music industry driving its images and products – and church growth formulas nipping at our heels – is it any wonder why churches of 200 or less are experiencing the grind as well?

Jeremiah 33:3 serves as a benchmark to busy activity, massive scheduling, goal setting, and strategic planning.  “Call to me and I will answer you, and I will show you great and mighty things which you do not know.” (NASB).   So, what is it we don’t know, that we need to know?  Our gear is great, our media is moving, our following fantastic, our image immaculate, and our hearts are humble!

Consider the context of Jeremiah 33:3. For the first 32 chapters, God is using Jeremiah as His mouthpiece to speak prophetic words to the people of Israel and their leaders.  Though the book is not laid out chronologically, it is apparent this far into the story that Jeremiah is still in need of knowing “great and mighty things” which he hasn’t yet discovered.  God requires His “mouthpieces” to call to Him, and then listen.

Finding God in the worship grind will either happen by our own choice or by His choice.  God will be found because we are awed by His sacredness – or – we are stopped in our tracks because the gears of the grinder have come to an abrupt halt.  I have experienced both.  I prefer the former not the latter.  Believe me, you do too.

 

Recommended books:   “Letters To The Church” – Francis Chan.   “Abba’s Child” – Brennan Manning

Photo by Ben White on Unsplash

 

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